A Level Film Year2

Back to the Start  Evaluation: What Went Well? The final outcome I felt turned out well considering the struggle for ideas at the very beginning of the task. Originally my group were going to use Tyler's predicted text message of using technology as a focus point. We all had our minds set on carrying out that idea but I though of Wong Kar-Wai and how he focuses on the concept of time; I though that the time theme would be easy to identify.  While editing, I used a filter over all my footage, which enhanced the colours to attempt to show the bold visuals similarly to Wong Kar-Wai's auteur style. I also used a song in reverse to compliment and reflect clearly to the theme of the film.  Within the narrative of "Back to the Start" I wanted to show a day from two people who; showing a rural and urban environment. I managed to successfully achieve this by using the time lapse video clips from two surroundings and using the shot reverse shot technique

Wong Kar-wai , (born 17 July 1958) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised work, including:  "As Tears Go By" (1988)  "Days of Being Wild" (1990)  "Ashes of Time" (1994)  "Chungking Express" (1994) "Fallen Angels" (1995) "Happy Together" (1997) "2046" (2004)  "The Grandmaster" (2013)  His film "In the Mood for Love" (2000), starring Maggie Cheung and Tong Leung, notably garnered widespread critical acclaim. Style of work: Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid imagery. Personal Life  Wong and his wife, Esther, have one child – a son named Qing. The director is known for always appearin

Silent Film Practical: Brief Plan- Before going out to shoot for our short film, I briefly drafted out some potential ideas as we only had 2 hours, wanting to maximise all the time we had. To ensure we had enough footage and time to edit the footage too.   The concept we set on was of a character going to the library to pick out a book to read but is mysteriously taunted by a shadow, which chases them to eventually to be killed.  We picked out to film in the library as we felt like it was quite tucked away from all the other people working in there, but also it was already had quite low key lighting; making it easier to control the light sources we were using form our phone flash lights. To better the controlled light used, we were able to ask for the lights to be switch off in the area we were filming, which worked well in the process of our film making.   "The Shadow Killer" Evaluation- What went well? After creating the film, I fe

Analysis of Rocket from the 'City Of God' Following Rocket, in the 'City Of God', we see visually the story of how the slums of Rio de Janeiro develop and are impacted by the fear and violence of gangs.  At the beginning of the film, the sound is a mixture between diegetic and non diegetic. The environment of the city and a voiceover of Rocket talking about the setting adding extra information and exploiting issues within the City of God. "We came to the City of God hoping to find paradise."  Within this sequence of the film, the time period is set during the 60s. The drug choice at the time was cannabis. With the use of mise-en-scene, this information is shown through the earthy colour palette and natural surroundings of the city.  Other techniques, such as editing show this too as a more gradual speed and quite slow of cuts and transitioning to different shots.   "But for the rich and powerful our problems didn't m